Ghost Dance

The ghost dance is a ceremony for the regeneration of the earth, and, subsequently, the restoration of the earth’s caretakers to their former life of bliss. Not surprisingly, the religion experienced its height of popularity during the late 19th century, when devastation to the buffalo, the land, and its Native Americans guardians was at its peak. Between 1888 and 1990, various tribes sent emissaries to a man named Wovoka, who claimed to be a visionary, and who was hailed as a Messiah by many desperate Indian nations. Wovoka maintained that Spirits had shown him certain movements and songs after he had died for a short period of time. In a manner reminiscent of Christ, Wovoka preached non-violence, and most tribes abandoned their war-like ways in preparation for future happiness.

GHOST DANCE

 

  

The dance quickly spread to various American Indian nations, and as it spread, it took on additional meanings. While performing the ghost dance, it was believed that you could visit relatives who had left their bodies. As so many Native Americans had lost friends and relatives, this aspect of the ceremony was particularly healing. The Lakota, Cheyenne and Arapaho expanded its meaning further after being told in dreams that wearing certain designs on clothing would protect them in battle. These beliefs served to ward off fears of imminent danger from suspicious and sometimes hostile white onlookers, but proved futile in the end.

The ghost dance unified Indian people, even tribes with a tradition of conflict. The solidarity of these groups frightened government officials, whose worst fears were realized years earlier when the Arapahoes, Cheyennes and Sioux came together to defeat Custer. As mentioned earlier, most ghost dancers did not embrace warlike behavior. Yet, the government reacted to this outburst of Indian behavior by gunning down ghost dancers at Wounded Knee during a peaceful ceremony. Even women and children were shot in the back as they were trying to escape. Many say this was in retaliation for the massacre at Little Big Horn, since the seventh cavalry was again involved.

Perhaps the government was also frightened of the dance’s spiritual power. According to a historian of that time, James Mooney, during one investigation of the ghost dance, U.S. troops reported seeing approximately 125 people at the beginning of the dance, and twice that number at the end, with no one new coming into the circle.

The ghost dance is indeed magical, according to Gabriel Horn, author of Native Heart: An American Indian Odyssey. Horn, also known as White Deer of Autumn, says the spirits of ghost dancers are ever present: “The Minneapolis Institute of Art put on the first and only exhibit of ghost dance shirts and dresses worn by men, women, and children. The room was black and the clothes were suspended in two circles. You could even see the bullet holes and the blood stains on the shirts from the slaughter of ghost dancers at Wounded Knee under the orders of the government.

“Several Native Americans went to the exhibit, elders as well as young people. The museum would keep it open at night, just for us. We would sit in a circle, surrounded by these ghost dance shirts and dresses, and pass a sacred pipe. We were listening to hear what we could hear, and watching to see what we could see. We wanted to get in touch with those people, those spirits, those ghosts of the past, to reconnect, and to show them that we still carry this love for the earth.

“I will never forget the night that an elderly Ojibwa, Old Man Bill, said to me, There were only 14 of us when we went in to sit among the ghost dance shirts and dresses. Look at all the people now.’ I looked up and saw what he meant. An hour later, we were sitting down at a table, looking at each other. Who were all those other people? It became very crowded.

“Another time a student of mine came to the exhibit. She was crying by a ghost dance shirt. I looked in the shirt to tell her its story because each one told a story. The shirt wearer’s last name was there, and it turned out to be the shirt of her grandfather. There was no way she could have known that when she went in.”

The ghost dance is practiced today, but privately. “It is performed for the same reasons,” White Deer of Autumn says, “because we are losing a lot of our relatives to cancer and alcohol, and the earth is in dire need of healing.”

http://www.spiritalk.net/native-americans-nahealin.html#The Vision Quest

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BRIDGENIT

Bridgette Lyn Dolgoff was born into the Russian bloodline, has been a lifetime student & practitioner of Shamanism. She is a Star Child that was sent to Earth in the second grand wave. Bridgette walks and works in the multidimensional layers and specializes in her own formats, structures, and practices. For over 25 years she has taught & facilitated "Energetic & Structural Medicine" for humans, earth, and all living beings. Bridgette is registered with the International Association of Medical Intuitive. In 2006 Bridgette began consulting for Corporate & Political geared business with a focus on creating "ECO-nomical Cooperation’s". Bridgette became a full-scale activist & citizen lobbyist in her home state and nationally for food, alternative medicine & environment in 2009. Bridgette is a sustainable, Biodynamic farmer educating about our spiritual return back to Earth. She brings insights on how to work with the medicine of earth in systems of recovery and restoration for the health of our bodies, soil, water, air, plants life and animals. Bridgette builds & consults "urban farms" individual family food production and peri-urban community farms. She has traveled to build core food productions on off-grid land for other communities, on-site training for those just starting out. The Urban Farm Project is consulting and teaching on “soil health” for conservation and education of health of all living beings through nutritionally dense food coming from the nutritional dense soil “healthy soil”. One of her long-term projects is to develop Biodynamic farms to rehabilitate combat veterans into sustainable Biodynamic farmers, creating a team to eventually travel to restore large land masses and bodies of water. Her offerings come in workshops, webinars, and classes, lecturing at events, consulting, counseling, hands-on building, and development, hands-on healing in person or long distance. She makes handcrafted medicine for land, water, homes, property to healing, balance and reset energies. bridgenit@gmail.com