Sacred Meaning of Indigenous Paints: 22 Painted Faces That Tell Stories

The reason tribes use face art to transform themselves may be varied. Sometimes they choose to do so as a part of a tribal ritual or at other times they do so to mark their status (as is the case with some aboriginal tribes), but the colorful and dynamic language of the face painting remains the same.

Significance of the Colors: Colors in Native American culture have special significance. Red is a violent color; it is the color of war. Strangely enough black, which is considered to be an inauspicious colors in most cultures, is the color of ‘living’, worn on the face during war preparations. White predictably is the color of peace. The color green when worn under the eyes is believed to empower the wearer with a night vision. Yellow is the most inauspicious color, it is the color of death, as it is the color of “old bones.” Care should be taken not to wear a lot of yellow, and is worn only when a person is in mourning. Also yellow, means a man has lived his life and will fight to the finish. Each Indian tribe has its own and unique way of face painting. Face paintings can be the lightest streak of color on the face. It can also mean covering their faces completely.

Raw materials used for Tribal Face Painting: Face painting is considered to be an important tradition among Native Americans. It is much more than just a beautifying practice. It’s a sacred social act of distinction and a cultural heritage. On special occasions faces of the tribe members are painted to augment one’s appearance and power. Each tribe of the Indians has its own and unique way of face painting.

For Native Americans Indians, roots, berries and tree barks are most commonly used to make the dyes for face painting. These natural raw materials are ground and made to a paste to make the dye. Clay of different hues is also used in Native Indian face painting. These wonderful colors along with the ideal face painting designs do create a desired effect. The process envolved a strict ritualistic order, that is maintained during the application of these colors.

The colors are first applied around the nose and only the index finger and middle finger is used for the application. The rest of the face i.e. the forehead, chin and eye areas are then carefully covered with paint. For some face paintings they would cover their face and then plaster it down with mud leaving the holes for the eyes and mouth. Generally the warriors would paint their faces with colored clay. They would then do the design of their tribe. Each tribe has its own designs for war and ceremonies. For the Zuni, and in many other cultures, the paints are sacred and nobody is allowed to touch a painted dancer until he has washed his body.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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BRIDGENIT

Bridgette Lyn Dolgoff was born into the Russian bloodline, has been a lifetime student & practitioner of Shamanism. She is a Star Child that was sent to Earth in the second grand wave. Bridgette walks and works in the multidimensional layers and specializes in her own formats, structures, and practices. For over 25 years she has taught & facilitated "Energetic & Structural Medicine" for humans, earth, and all living beings. Bridgette is registered with the International Association of Medical Intuitive. In 2006 Bridgette began consulting for Corporate & Political geared business with a focus on creating "ECO-nomical Cooperation’s". Bridgette became a full-scale activist & citizen lobbyist in her home state and nationally for food, alternative medicine & environment in 2009. Bridgette is a sustainable, Biodynamic farmer educating about our spiritual return back to Earth. She brings insights on how to work with the medicine of earth in systems of recovery and restoration for the health of our bodies, soil, water, air, plants life and animals. Bridgette builds & consults "urban farms" individual family food production and peri-urban community farms. She has traveled to build core food productions on off-grid land for other communities, on-site training for those just starting out. The Urban Farm Project is consulting and teaching on “soil health” for conservation and education of health of all living beings through nutritionally dense food coming from the nutritional dense soil “healthy soil”. One of her long-term projects is to develop Biodynamic farms to rehabilitate combat veterans into sustainable Biodynamic farmers, creating a team to eventually travel to restore large land masses and bodies of water. Her offerings come in workshops, webinars, and classes, lecturing at events, consulting, counseling, hands-on building, and development, hands-on healing in person or long distance. She makes handcrafted medicine for land, water, homes, property to healing, balance and reset energies. bridgenit@gmail.com